ProductsChairsOffice chairsLounge chairsDining tablesCafé tablesDesksOffice furniture systemsCoffee & side tablesSofasMicro architectureAccessoriesLightingLiving roomDining roomHome officeChildren's roomOutdoorFocusWorkspaceMeetingWorkshopAlexander Girard Antonio CitterioCharles & Ray Eames Barber OsgerbyGeorge NelsonIsamu NoguchiJasper MorrisonJean ProuvéKonstantin GrcicRonan & Erwan BouroullecVerner PantonCare & repairCare productsManufacturer warrantyNewBestsellerQuickshipGift finderOffice chair finderLounge chair finderColour & materialMikadoColour Frame MirrorsInspirations Inspirations for homesJean Prouvé CollectionStandard Chair & Chaise Tout BoisAn open house High comfort of low energyFurniture as part of the familyThe Art of indoor greeneryLiving with EamesCollecting vintage furniture & artLiving & working in an urban oasisA new life for a gropius houseTheir ideal home in touch with natureMagazineStoriesConversationsExhibitionsDesignerProject VitraShaping the future of energyFrom a toy to an objectWhat would nature doWhy design classics remain relevant, even in the officeA studio visit with Tsuyoshi TaneThe Eames Collection at the Vitra Design MuseumMoments in architectureAbout the partnership between Eames and VitraThe Eames La ChaiseSaul SteinbergTane Garden HouseWhat would Charles and Ray say?The Maison Jean ProuvéDesign is a highly political professionPhilosophy of select and arrangeThe OriginalHistory of communal workspacesVitra CampusExhibitionsGuided tours & workshopsFood and drinkShoppingArchitectureYou eventPlan your visitVitra Campus appNewsVitraHausVitra Design MuseumVitra SchaudepotVitra Circle Store CampusOudolf GartenAbout VitraSustainabilityJobs & CareersDesign processThe Original is by VitraHistory - Project VitraProfessionalsClub OfficeCitizen OfficeDynamic SpacesAirports HospitalityHealthcareDownloadsColour & materialpConPlanning examplesCertificatesCare & maintenanceOur ClientsOffice chairsDancing OfficeA case for classicsConsulting & Planning StudioTo the dealer loginMikadoTyde 2 on castorsACXOur ClientsJoyn 2Abalon
Eames House Whale
© Eames Office, LLC
Charles and Ray Eames surrounded themselves in their legendary Eames House with their own designs and an extensive collection of folk art, as well as other small objects found on their travels, in nature and in everyday life. Almost everything they collected was related to aspects of design and form, as Ray explained: 'We never collected anything just as collectors, but because something was inherent in the piece that made it seem like a good idea to be looking at.' The Eameses organised and decorated their living space with great seriousness and tremendous joy, making the Eames House an ever-changing collage, a reflection of their life.
A prominent feature of the Eames collection was a huge wooden whale over two metres in length, an anonymous work of North American folk art. Charles and Ray Eames were exceptionally fond of the painted object: it occupied a permanent place in the Eames Office and was also used in photo shoots – such as the first photos of the Lounge Chair. The smaller-scale reproduction of the Eames House Whale by Vitra is crafted from ash wood and painted by hand.
A prominent feature of the Eames collection was a huge wooden whale over two metres in length, an anonymous work of North American folk art. Charles and Ray Eames were exceptionally fond of the painted object: it occupied a permanent place in the Eames Office and was also used in photo shoots – such as the first photos of the Lounge Chair. The smaller-scale reproduction of the Eames House Whale by Vitra is crafted from ash wood and painted by hand.